Knowledge Centre • Artwork & Visual Materials

Oil Painting Scanning

Oil paintings can contain raised brushwork, varnish and complex surface reflectance, making non-contact capture an important option.

Oil paintings should not automatically be treated like flat paper. Controlled camera capture can help avoid physical contact while recording the artwork at a suitable scale and resolution.

Standards context: The FADGI framework recognises specialised imaging of works of art as a distinct area from ordinary textual scanning. citeturn0search5

Oil painting digitisation

The capture method should be selected around the original object, its condition and the purpose of the digital master. Suitable material may be captured with a WideTEK 36 ART, reprographic camera system or flatbed solution, while delicate, oversized or surface-sensitive work may require a non-contact approach.

Materials and considerations

Oil on canvas

Considered as part of the specialist capture and quality-control workflow for this material.

Oil on board

Considered as part of the specialist capture and quality-control workflow for this material.

Varnished paintings

Considered as part of the specialist capture and quality-control workflow for this material.

Impasto

Considered as part of the specialist capture and quality-control workflow for this material.

Historic oil paintings

Considered as part of the specialist capture and quality-control workflow for this material.

Contemporary oil paintings

Considered as part of the specialist capture and quality-control workflow for this material.

Key considerations

  • Oil on canvas
  • Oil on board
  • Varnished paintings
  • Impasto
  • Historic oil paintings
  • Contemporary oil paintings

Need an artwork scanning specification?

We can assess the size, material, condition and intended use of your artwork or visual collection and recommend an appropriate capture method and digital output.